Professional Photo Printing
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How to get great color, save your profits, and never have to work color or density in Photoshop. Part 4 PDF Print E-mail
The Limited Edition
Written by John Harris   
Monday, 11 July 2011 11:24
In the previous post in this series, I wrote about using sRGB for printing your portraits.
This post we talk about how JPEG can be your workflow friend.

Rule #4 - JPEG is not always bad.

Shooting raw has its place. Like when the dynamic range of the scene far exceeds that of your camera. Or when you need to really fine-tune an image. But-if you are shooting raw because you aren't getting good results in-camera with jpeg, please re-visit rules 1, 2, and 3. If you get the first three crucial elements in place, you won't need raw for your portrait and senior work. Shooting in JPEG eliminates the steps required to convert from camera raw. If your image sensors are clean, and you have all the other elements in place you can send your files direct for printing/proofing without any further work. This process may not be ideal for fine-art or landscape shooters, but it can be ideal for portrait and wedding shooters.

 

Rule #5 - Print on quality photographic paper.

This means professional paper. Not the over contrasty, over saturated non- neutral stuff you get from drug stores, discount marts, warehouse/membership stores. This means use a good pro lab. Not Costco, not Wal Mart, not Walgreens, not Drug Emporium, etc etc etc.

The papers you get from consumer mini-labs are purposely manufactured to NOT have accurate color. Yep, they make it screwy on purpose. You see, Joe Consumer likes prints with colors that aren't real. They want more saturation and contrast for that extra snap. In most cases, their photos benefit from that assistance to help the snap-shot look a bit more appealing to the eye.

Professional paper is manufactured to very exacting standards to achieve neutral balance, neutral saturation and excellent skin tones. Pro papers will handle extra saturation if you really need it for your "look", so add it if you wish, but at least you have the option. And get this, just by using pro papers, you get an additional stop of shadow detail! The missing shadow range in the consumer papers is another reason they look so "snappy".  A properly exposed, correctly white balanced image with great composition that is printed on professional photographic paper won't need the false extra punch to look good.

 

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